Rong Design Library Research Program on Wood Materials of Traditional Chinese Handicraft Materials

From余杭融设计图书馆中国传统手工艺材料之木材料研究计划》由Ugan concept感物品牌发起,以研究木材料专家的身份独家支持From余杭融设计图书馆共同研究,木材料在人类生活的未来发展,推动中国传统手工艺材料——木材料的应用,检测创想木材料的检测创想木材料的多种可塑性。

From YuHang Rong Design Library Research Program on Wood Materials of Traditional Chinese Handicraft Materials》:it was Sponsored by Ugan concept brand. Ugan concept exclusively supports the From Yuhang Rong Design Library to study the future development of wood materials in human life and promote the application of Chiness traditional handicraft materials——wood materials to test the various plasticity of imaginative wood materials. 

 

From余杭融设计图书馆#——传统工艺再生

 

“From余杭融设计图书馆”是中国首家非盈利的传统材料研究图书馆。由创始人张雷一次“传统工艺重生”的概念而成立了图书馆。图书馆长期聚焦研究与解构中国传统手工艺材料和中国传统工艺,并将其形成文字,供设计师、艺术家等参考创作。


From YuHang Rong Design Library#——traditional technology regeneration 

 From YuHang Rong Design Library” is the first non-profit traditional materials research library in China.The library was founded by the founder Zhang Lei, a concept of "traditional craft rebirth". The library focuses on the research and deconstruction of Chinese traditional handicraft materials and Chinese traditional craftsmanship, and put them into writing for the reference of designers and artists continually.

 


 

 

 △融图书馆传统手工艺材料展示

 

中国传统文化的长河中,木头有着长盛不衰的魅力,木头寄托了太多人们的情感,赋予中国人的亲和力与安全感是无法代替的。由树为木,那是一种本能的延续,在最原始的美学思维本能里,那是自然的延续,那是活着的生态。 

In the long river of Chinese traditional culture, wood has the charm of everlasting prosperity.The wood cotains too many people's feelings. The affinity and the sense of security given to the Chinese is irreplaceable.Tree turning into wood, it is an instinctive continuation.in the most primitive aesthetic thinking instinct, it is the continuation of nature, and it is the living ecology.

 

Ugan concept感物,一个以“顺势而为地呈现木之美”为设计理念的设计师地板家居品牌,尊重材料的自然表达,以地板这一介质将木材年轮的生命力量之美,疤、结、痕、裂的残缺之美和旧木风化后的返璞之美引进室内,向人们传达中国木之美学。


Ugan concept respects the natural expression of material as a designer floor brand with its designing concept of“presenting wood’s beauty by its nature”. The brand lead the beauty of life power growing between rings, the beauty of the incomplete of naps and gaps on the wood, and the beauty of original simplicity of aged wood to indoor to Convey the aesthetics of Chinese wood to people.

 

或许时代在变,工业化的步伐也并没有停止过,钢材、水泥、化学材料的兴起也成功替代木材,但是感物希望通过《From余杭融设计图书馆中国传统手工艺材料之木材料研究计划》公益活动引申出更多木的形态,以木材这一传统材料的美感做主导位置能为更多人所了解。


Perhaps times is changing,and the pace of industrialization has not stopped. The rise of steel, cement and chemical materials has also succeeded in replacing wood. However, Ugan concept hoped that the they can use the commonweal activity, From Yuhang Rong Design Library" Chinese traditional Handicraft Materials Research Program》,to extend the more wood forms, so that the aesthetic sense of "wood" as the leading position can be understood by more people.

 

感物想让“生命”得以延续,或许地板只是一个开始....


 Ugan concept hopes that the "life" can continue, perhaps the floor is just a beginning..

 

在传播传统文化上,感物与融设计图书馆不谋而合。项目追溯木材料的本身来进行构解和分析,以传统工艺的结合,延展出更好的设计,推进传统文化的承接和当代中国设计的发展,希望未来能影响几代人甚至更多的人。

In the dissemination of traditional culture, Ugan concept and Rong Design Library happen to coincide. The project traces the wood material itself to carry on the construction and the analysis. With the traditional craft union, it extends the better design, and promotes the continuation of traditional culture and the development of contemporary Chinese design. We hoped that it can influence several generations and even more people in the future.

 

第一阶段研究成果展示

Presentation of the first stage of the study results

 

 

 


01 化变


01 Cemical changes


着色/表面处理


Coloring / Surface treatment

△木材可以呈现不同的颜色,或许也有喜怒哀乐

imber can take on different colors, maybe there are joys, sorrows and sorrows. 

 

 

 

 

 

 

02上腻子

 

 

Fill putty

 

修补/色彩/不规则


Repair / Color / Irregularity


△木材也会有伤疤,但是我们可以换种方式让她微笑。 

Wood  also have scars, but we can make her smile in another way. 

 

 

 

 

03老木再利用


03 Old wood reuse


再利用/古朴感 


Reuse /Archaic

木在岁月尘埃中变的苍老,但何尝不是另一种生机。

The wood grows old in the dust of the years, but not that 

 

 

 

04木材的切割


04 wood cutting 


基础材料处理/方向/纹理


Basic material treatmeant / Direction / Texture


 

△我们可以用最温柔的刻刀,还原木材最真实的纹理

 

We can use the softest knife to restore the truest texture of wood. 

 

 

 

 



05表面造型


05 Surface modeling


手工/立体/触感/肌理/起伏 


Hand / Solid / Tactile / Texture / Undulation 



△木之肌理,是岁月的痕迹 

The texture of wood is the trace of time. 


 

 

 

 



06表面上油


06 Surface oil


防潮/着色

 

Moisture-proof / Coloring

 




△我可以让她容颜永驻 

 I can keep her face forever. 

 

 

 

 

 


07烟熏


07 Smoke 

 

着色/表面处理/层次感

 

Coloring / Surface treatment / Layering 


△暗黑能使她更妖艳

The dark can make her more glamorous. 

 

 

 

 

 

 


08木头榫接

 

08 Wood tenon 

 

榫卯/裂缝修补/规律性

 

ortise / Crack repair / Cegularity


△传统技法可以让传统材料更艺术的呈现


Traditional techniques can make traditional materials more artistic 

 

 

 

 


09 木地板连接

 

09 Wood floor connection 


拼合/机器开槽


Splicing / Machine slotting 


△一阴一阳,无缝拼接

yin-yang,Seamless splicing 

 
 

木材料库展示


 

 

 

 

 


 

 

项目名称From余杭融设计图书馆中国传统手工艺材料之木材料研究计划》 

项目时间 2018年—2022年 

 

Project name:《From YuHang Rong Design Library Research Program on Wood Materials of Traditional Chinese Handicraft Materials》: 

Project time: 2018-2022  

  

阶段一:(2018年)木材料在我们生活中的角色扮演 ,并且对木材料进行第一次浅尝理解 ; 

 

Stage one: (2018) the role of wood materials in our lives, and for the first time to understand wood materials; 

 

阶段二:(2019年—2020年)扩大木材料的实用性,以木材料为主线融图书馆会进行对感物木类材料色彩、图案、结构、功能等体系深入了解,对感物木材料工艺解构和纵向研究; 

 

Stage two: (2019-2020) expanding the practicability of wood material, Rong library will take wood material as the main line to carry on the deep understanding on the system including color,the pattern, the structure, the function and so on and to deconstructe and research longitudinally of Ugan concept wood material craft;  

 

阶段三:(2021年—2022年)感物提供技术支持对前期产出工艺的研究成功植入更多的新工艺试验,如木材的熏蒸、着色弯曲等新工艺研发。 

 

Stage 3: (2021-2022)Ugan concept provide technical support for tests that the more new technology is blended in the early production technology research successfully, such as wood fumigation, coloring bending and other new technology research and development. 

 

 


 

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