The opening of Ugan Concept Chengdu image store & The Conference Of Wood Materials Research Results Of Chinese Traditional Handicraft Materials Research

2019年7月31日晚,Ugan concept感物形象店正式落户成都,与到场的近四百位成都设计师、行业精英及媒体朋友一起,共同见证感物首家西南地区形象店的诞生。 

 

On the evening of July 31, 2019, Ugan concept was officially settled in Chengdu. Together with nearly 400 Chengdu designers, industry elites and media friends, witnessed the birth of the first southwestern image store.


 

2019中国传统手工艺材料研究之木材料自然染色专题成果』也在开幕仪式上同期发布,用自然的造物方式重启了木材的色彩基因”,演绎出全新的材质面貌。 

 

The conference of Wood Materials Research Results Of Chinese Traditional Handicraft Materials Research was also released at the same time at the opening ceremony, using the natural creation method to restart the wood "color gene", deducting a new material appearance.

 

 

2018年起,Ugan concept感物以研究木材料专家的身份,发起了为期五年的『中国传统手工艺材料之木材料研究计划』,独家支持融设计图书馆,共同研究木材料在人类生活的未来发展,推动中国传统手工艺材料——木材料的应用,检测并创想木材料的多种可能性。


Since 2018, Ugan concept has launched a five-year Chinese Traditional Handicraft Materials Research as an expert in the study of wood materials, and exclusively supports the Rong Design Library to jointly study wood materials in human life. The future development will promote the application of traditional Chinese handicraft materials - wood materials, and detect and create various possibilities of wood materials.

 

 

继去年的第一阶段研究之后,今年我们以“木材料的自然染色”为主题,展开了一系列的探索与研究。探讨当代设计中如何从传统匠人技艺和艺术创作中汲取灵感,使木材料“重获新生”。


Following the first phase of research last year, this year we launched a series of explorations and research on the theme of “natural dyeing of wood materials”. Explore how contemporary design draws inspiration from traditional craftsmanship and artistic creation to make wood materials “renewed”. 

 

 

区别于西方精确到数字的色号,中国传统染色更多的是与自然界的物质直接联系。植物染色、矿物染色以及生物染色,都是从自然界的物质中提取而来。


Different from the west, they label color with number, the traditional Chinese dyeing is more directly related to the material of nature. Plant staining, mineral dyeing, and biological staining are all extracted from natural materials. 

 

工具书根据不同的染料组合试验,提炼出五个不同的色系,每个色系根据浸泡的时间、温度、湿度的变化,呈现出不同梯度的色彩。


The kit book extracts five different color systems according to different dye combination tests. Each color system exhibits different gradient colors according to changes in immersion time, temperature and humidity. 

 

 

 

 

△染色木块&原材料

 

△Stained wood blocks & raw materia

 

 

 

 

 


 

如今的染色工艺也不仅仅可以应用在服装布料之上,将自然染色与天然的木材相结合,同样可以形成新的木材皮肤”,由此挖掘出木材料运用的“N+1种可能性”,扩大木材料在当代社会的实用性和可塑性。


Today's dyeing process can not only be applied to clothing fabrics, natural dyeing combined with natural wood, can also form a new "wood skin", thus excavating the "N+1 possibilities of wood materials" "Expanding the practicality and plasticity of wood materials in contemporary society."


 

2019年7月31日晚,融设计图书馆创始人张雷也现身感物成都形象店开幕现场,带来自然染色分享会,与成都当地的嘉宾面对面,分享如何通过传统手工艺的解构与再生,挖掘木材料在当代的全新设计语言。


On the evening of July 31, 2019. Zhang Lei, the founder of Rong Design Library also appeared at the opening ceremony of the Chengdu Image Store, bringing a  ‘Natural dyeing thematic sharing session’, meeting face-to-face with local guests in Chengdu, sharing how to deconstruct and regenerate traditional crafts, and discover new possibilities for wood materials in the contemporary era with fresh design concept.

 

 

现场也专门设置了workshop环节,嘉宾们能够在现场与张雷互动,近距离了解并体验自然染色的相关内容,并且亲身感受工艺、材料与自己的关联。


The workshop also set up a workshop session. Guests can interact with Zhang Lei on the spot, get a close look at and experience the content of natural dyeing, and experience the connection between crafts and materials.

 

 

设计依托于材料,以材料为原点,通过不同的交流碰撞,才能为当代设计注入源源不断的新鲜血液。


The design relies on the material, with the material as the origin, through different communication collisions, can inject a steady stream of fresh blood into the contemporary design. 

 

通过融图书馆与感物联合的木材料研究计划,我们也希望能与各地的设计师交流碰撞,以一种不分国界、地域、行业和形式的融合,在传统工艺与当代美学、全球化的时代特征与东方独有的特性之间,寻见不一样的可能性。


 

Through the wood material research project combining library and sensory, we also hope to collaborate with local designers in Chengdu, with a fusion of borders, regions, industries and forms, in traditional crafts and contemporary aesthetics, globally. Between the characteristics of the era and the unique characteristics of the East, find different possibilities.

 


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