Another kind of laying order with a piece of floor in parallel space | Ugan concept image store in the west of Hangzhou city
与近日启幕的感物台州展厅“一块地板在平行空间中的铺设秩序“四象六虚”设计理念基础上进行设计升级，对地板做了新的铺设设计，通过平行方向上的错位，营造出不同立体空间，呈现“一块地板在平行空间中的另一种铺设秩序”。
Echoing the “order of laying a piece of floor in a parallel space”in the Taizhou exhibition hall, which opened recently, Ugan concept image store in the west of Hangzhou city is designed and upgraded on the basis of the original design concept of “four images and six emptiness”, and new floors have been made. The paving design of the building creates different three-dimensional spaces through the dislocation in the parallel direction, presenting "another laying order of a piece of floor in the parallel space".
展厅地面由大尺寸地板铺设而成，而茶台、洽谈桌、地面景观与落水装置则选用与之不同色系与规格的地板，俯视之下，清晰地呈现出”一“字型的空间区域。
The floor of the exhibition hall is paved with a large-size floor, and the tea table, negotiation table, ground landscape and falling water device are selected in different colors.The floor of the series and specifications, from the top view, clearly presents the space area of the "one" font.
置身其中，则可以看到镶嵌于地面的地板装置，与地板装置相接、并上升转折而成的洽谈桌，以及延续而成的茶台地面。三者相互连接、浑然一体，高低错落地构成不同功能区域，并与三块地板构成的悬空落水装置相呼应，通过地板在空间中运动、抬升、连接的律动，实现了地板在上升形态下不同纬度的平行。
Inside, you can see the floor installation inlaid on the ground, the negotiation table that connects with the floor installation and rises and turns, and the continuous tea table floor. The three are interconnected and integrated, and the heights and lows are staggered to form different functional areas, and they echo with the suspended falling water device formed by the three floors. The rhythm of the floor moving, lifting and connecting in the space realizes the different rising patterns of the floor. Parallel to latitude.
而互相平行的三块地板构成的悬空落水装置，则置于圆柱与方柱之间。柱的化用，弱化了其在空间的阻碍感，辅助了“平行形态的地板铺设秩序”的表达，成为装置设计的一部分。
The suspended falling water device composed of three parallel floors is placed between the column and the square column. The use of the column weakened its sense of obstruction in the space, assisted the expression of "parallel floor laying order", and became a part of the installation design.
基于“中国传统手工艺材料研究之木材料自然染色”的成果，感物支持融设计图书馆，将自然染色与天然的木材相结合，探索了“蓝染”这一东方传统工艺应用于木材料之上的可能性，将之转化为“蓝染地板”，并于城西空间里营造出一处“蓝染地板装置区”。
Based on the results of the "Natural Dyeing of Wood Materials in the Research of Traditional Chinese Handicraft Materials", Rong Design Library and Ugan concept combined natural dyeing with natural wood, and explored the application of "blue dyeing", a traditional oriental technique to wood materials. The possibility of the above is transformed into a "blue dyed floor", and a "blue dyed floor installation area" is created in the Ugan concept space in the west of city.
“蓝染地板装置区”处，圆柱与镶嵌在地面的蓝染地板相结合，形成方与圆、平面与立体的呼应。蓝染地板的少量应用，亦与整体氛围产生微妙的碰撞，成为空间的点睛之处，同时，也是一种“平行形态的地板铺设秩序”的演绎。感物试图以这样的设计提出一个问题：具有鲜明设计感的特色地板，可以以怎样的方式参与进空间的设计中？
In the "Blue Dyeing Floor Installation Area", the column and the blue dyed floor inlaid on the ground are combined to form a square and circle, plane and three-dimensional echo. The small application of blue dyed floor also creates a subtle collision with the overall atmosphere, becoming the crowning point of the space, and at the same time, it is also a deduction of "parallel floor laying order". Ugan concept tried to ask a question with this design: how can a characteristic floor with a distinctive design feel participate in the design of the space?
展厅外墙的橱窗内外通透，感物品牌视觉形象海报与灯箱陈列其间，三块大尺寸地板横亘于中，构成多重视觉层次。
The display windows on the exterior wall of the exhibition hall are transparent inside and outside. Between the display of the visual image posters of the Ugan concept brand and the light boxes, three large-size floors lie in the middle, forming multiple visual levels.
橱窗以“枯山水”的形态铺设大小不一的碎石与山石，营造出东方“室内园林”的符号景观。
The display windows are laid with gravel and rocks of different sizes in the form of "dry mountains and rivers", creating a symbolic landscape of the oriental "indoor garden".
橱窗景观对角处的洽谈区，各个家居陈设在此处构建了带有舒适气息的艺术氛围。柔软的落地沙发与地板亲密地接触，一旁的美术馆风格单椅则提升空间的设计感。洽谈区家居高度更贴近地面，人与空间、与地板的相处愈加亲近无间。
In the negotiating area at the corner of the window landscape, various furnishings build a comfortable artistic atmosphere here. The soft floor-to-ceiling sofa is in close contact with the floor, and the gallery-style single chair on the side enhances the design of the space. The height of the home in the negotiation area is closer to the ground, and people get closer to the space and the floor.
建筑师蔡俊林为感物展厅空间设计了独具品牌气质的装置性家居。这一“茶几组合”带给人“一抽屉的地板”的设计感受。边几、茶几、座椅三部分有机组合在一起，主体由多层地板堆叠而成，自茶几下抽出座椅，如同抽出一层装满地板的抽屉。这亦是一种”平行形态的地板秩序“的表达呼应。
The architect A john designed a unique branded installation home in order to coordinate with the exhibition space. This "coffee table combination" is based on the concept of "one drawer floor". The side table, coffee table, and seat are organically combined. The main body is made up of multiple layers of floors. The seat is drawn out from the coffee table as if pulling out a layer. Full of drawers on the floor. This is also a kind of expression echoing of "parallel floor order".
突破了地板在空间中铺设的单一方式，升级后的城西展厅以错落有致的形态，使地板离开脚底，营造出地板在平行空间的铺设秩序。同时，亦打破了传统门店空间的功能性设计，构建出不同感官与互动细节，在空间中延展出丰富多样的动态体验。
Breaking through the single method of laying the floor in the space, the upgraded exhibition hall in the west of Hanzhou city takes the form of patchwork, leaving the floor off the soles of the feet, creating an orderly laying of the floor in the parallel space. At the same time, it also breaks the functional design of the traditional store space, constructs different senses and interactive details, and extends a rich and diverse dynamic experience in the space.
Photo & Video | Vincent Kuan
